joelbolden wrote:
I was driving along Black Moshannon Lake, here in Central Pennsylvania, when I spotted this work in progress carved from what's left of a snapped off dead oak. Thought he was finished, then went back a couple of days later and viewed the finished product. The artist with the chainsaw goes by the moniker of Knotty Ray(he has a website); a young very talented man.
Talented people who do this are difficult to find. In searching northern Michigan we found less than a few people who can carve using a saw. Found a sculptor who was willing to learn. He did a feather out of a maple trunk that I find very appealing. Then he did another that turned out well, a pair of hands touching index finger tips in a top-and-bottom arrangement. He spent more time using a rotating grinder than the saw. I have a third piece by the same sculptor that he did in his studio, a human upper body in the lotus position that is supported on a steel apparatus that is not easily seen. People think it is floating. A major difference exists between sculpting in a studio and in the field. We do not have many people interested in doing this kind of artistry. A friend has suggested the reason may be only 25% of our entire county is wired for internet. Interesting concept. Not sure I understand the connection, but still interesting.