bleirer wrote:
Reminds me of my first photo class at university, still hearing the instructor critique us for deep blacks, pure whites, full range of middle tones. You have it all. Of course in those days we were instructed to choose a different film, choose a different contrast paper, rub the black areas in the developer to literally warm them up, dodge and burn, etc. I like dialing it up.
I'm curious what your process was for the very clean tonal separation.
Digital is magic especially shooting RAW and a lot less expensive. Also less time intensive. Well, maybe not that. See my reply to Linda for the "process". It is very basic. Smooth and clean tonal range depends a lot on the lighting as well.