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Black and White - Fort Pulaski Savannah, Georgia
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May 19, 2019 17:11:37   #
BillFeffer Loc: Adolphus, KY
 
D750 24-120m F4 RAW PP in LR 6.14 Comments? Advice? Suggestions?


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May 19, 2019 17:22:57   #
Architect1776 Loc: In my mind
 
BillFeffer wrote:
D750 24-120m F4 RAW PP in LR 6.14 Comments? Advice? Suggestions?


Very nice.
No additional thoughts.

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May 19, 2019 17:43:03   #
BillFeffer Loc: Adolphus, KY
 
Architect1776 wrote:
Very nice.
No additional thoughts.


Thank you.

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May 19, 2019 17:43:35   #
Linda From Maine Loc: Yakima, Washington
 
All have strong interest for me: textures, tonal range, compositions. Are you doing the conversion completely in LR, Bill? No plug-in such as Nik Silver Efex?

Do you choose your subjects and compose specifically for a b&w conversion? I have enjoyed threads in the past that discussed "seeing in black and white." Certainly some photos can work either way or can work as an "afterthought" as black and white, but going back to film days and a little darkroom in my basement, I think it's more fun and more satisfying to plan for a b&w result.

Thanks so much for posting these, and hopefully to having more discussions in PP Forum about black and white processing.

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May 19, 2019 17:47:26   #
kenievans Loc: Dallas
 
Really nice sharp focus and DoF. Good composition especially on the second one. I think I would do just a little lightening around the 2nd archway just to bring out the details in the bricks a bit more but other than that they are excellent.

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May 19, 2019 17:53:41   #
bleirer
 
Reminds me of my first photo class at university, still hearing the instructor critique us for deep blacks, pure whites, full range of middle tones. You have it all. Of course in those days we were instructed to choose a different film, choose a different contrast paper, rub the black areas in the developer to literally warm them up, dodge and burn, etc. I like dialing it up.

I'm curious what your process was for the very clean tonal separation.

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May 19, 2019 18:37:53   #
BillFeffer Loc: Adolphus, KY
 
Linda From Maine wrote:
All have strong interest for me: textures, tonal range, compositions. Are you doing the conversion completely in LR, Bill? No plug-in such as Nik Silver Efex?

Do you choose your subjects and compose specifically for a b&w conversion? I have enjoyed threads in the past that discussed "seeing in black and white." Certainly some photos can work either way or can work as an "afterthought" as black and white, but going back to film days and a little darkroom in my basement, I think it's more fun and more satisfying to plan for a b&w result.

Thanks so much for posting these, and hopefully to having more discussions in PP Forum about black and white processing.
All have strong interest for me: textures, tonal r... (show quote)


Entirely LR 6.14 using Basic panel tonal adjustments and the tonal sliders in the HSL-B/W panel and finally sharpening. Sometimes the tone curve and dodge/burn with the adj tools. I try to mimic the Zone System first setting a mid-tone and then adjusting the black and white points. After that, I fiddle to taste. Pretty basic and simple. No plug-ins. I used to use a dehaze plug-in rarely, but --

I do often look for b/w potential. I also had an analog darkroom where I used to spend hours.

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May 19, 2019 18:40:39   #
BillFeffer Loc: Adolphus, KY
 
kenievans wrote:
Really nice sharp focus and DoF. Good composition especially on the second one. I think I would do just a little lightening around the 2nd archway just to bring out the details in the bricks a bit more but other than that they are excellent.


I see your point with the darker first arch, but I was intending a "Frame" Thanks for the input.

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May 19, 2019 18:44:39   #
BillFeffer Loc: Adolphus, KY
 
bleirer wrote:
Reminds me of my first photo class at university, still hearing the instructor critique us for deep blacks, pure whites, full range of middle tones. You have it all. Of course in those days we were instructed to choose a different film, choose a different contrast paper, rub the black areas in the developer to literally warm them up, dodge and burn, etc. I like dialing it up.

I'm curious what your process was for the very clean tonal separation.


Digital is magic especially shooting RAW and a lot less expensive. Also less time intensive. Well, maybe not that. See my reply to Linda for the "process". It is very basic. Smooth and clean tonal range depends a lot on the lighting as well.

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May 19, 2019 18:47:59   #
UTMike Loc: South Jordan, UT
 
Very nice work, Bill!

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May 19, 2019 19:15:34   #
BillFeffer Loc: Adolphus, KY
 
Thank you

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May 19, 2019 19:33:08   #
rgrenaderphoto Loc: Hollywood, CA
 
Great textures and mix of tones.

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May 20, 2019 08:06:50   #
jaymatt Loc: Alexandria, Indiana
 
Nice b&w’s!

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May 20, 2019 11:01:08   #
ecblackiii Loc: Maryland
 
Good eye for framing and great shot outcomes. I was there three weeks ago and wish I had taken the shots you did of the entrance gate.

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May 20, 2019 11:03:15   #
magnetoman Loc: Purbeck, Dorset, UK
 
A very nice set Bill. #2 is my favourite but I think you could enhance the arches more - a bit of lightening as Keni suggests whilst retaining the frame you rightly set-out to capture. The receding arches could be made more obvious with some detail work. It’s a super composition worthy of that extra effort.

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