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Question about light gathering potential in larger diameter lenses
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Feb 13, 2019 15:32:31   #
lamiaceae Loc: San Luis Obispo County, CA
 
tomcat wrote:
I have searched the internet for an answer to this question, but all I get is conflicting answers so I thought I would go to the experts that have the experience. Will a larger diameter lens like a 300mm or a 500mm fixed lens let in more light at their widest opening (f/4) than a smaller diameter lens like a 50mm or a 105mm lens at f/2.8? It would seem to me that the larger diameter lens with its larger blade opening and larger barrel diameter would let more light pass than a lens with a smaller opening and smaller diameter barrel.

The reason I ask this question is to determine if it is worth the investment to get an f/4 300mm lens for indoor basketball or to stay with my 135mm f/1.8? As an experiment one day, I shot basketball with my 50mm Sigma Art lens at f/1.4 and the images were a lot brighter than they were with my 70-200, which is f/2.8. The lens diameters are almost the same, so this was not a good test at diameter vs light transmission. I expected the larger aperture would be brighter, as it was.

So I need answers from you guys that shoot a 300mm lens. Can you really get a lot more light onto the sensor with this larger lens, compared to when you shoot your smaller diameter lens?

Thanks
I have searched the internet for an answer to this... (show quote)


It is sad how confused many photographers are about Math and Physics today. Skills and Knowledge have been replaced by Web Inferences. Interesting how several of the first ever photographers were scientists and mathematicians. Hershel and Dodgson (Carroll) come to mind.

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Feb 13, 2019 15:34:42   #
SalvageDiver Loc: Huntington Beach CA
 
tomcat wrote:
I have searched the internet for an answer to this question, but all I get is conflicting answers so I thought I would go to the experts that have the experience. Will a larger diameter lens like a 300mm or a 500mm fixed lens let in more light at their widest opening (f/4) than a smaller diameter lens like a 50mm or a 105mm lens at f/2.8? It would seem to me that the larger diameter lens with its larger blade opening and larger barrel diameter would let more light pass than a lens with a smaller opening and smaller diameter barrel.

The reason I ask this question is to determine if it is worth the investment to get an f/4 300mm lens for indoor basketball or to stay with my 135mm f/1.8? As an experiment one day, I shot basketball with my 50mm Sigma Art lens at f/1.4 and the images were a lot brighter than they were with my 70-200, which is f/2.8. The lens diameters are almost the same, so this was not a good test at diameter vs light transmission. I expected the larger aperture would be brighter, as it was.

So I need answers from you guys that shoot a 300mm lens. Can you really get a lot more light onto the sensor with this larger lens, compared to when you shoot your smaller diameter lens?

Thanks
I have searched the internet for an answer to this... (show quote)


f4 is f4 is f4. The same amount of light will illuminate the sensor in all cases.

It is independent of lens type or size.

It can easily be tested.
1) Point the camera to a clear blue sky with one lens and record the exposure setttings.
2) change the lens, set to same aperture and record the new exposure settings.

The exposure settings will be the same.

For the engineers, an integrating sphere would be a better target than the blue sky.

If you want to know the “why”, then you need to delve into the many explanations here.

Mike

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Feb 13, 2019 15:44:00   #
LWW Loc: Banana Republic of America
 
Let’s make this easy.

The front element of a 300/2.8 most certainly tskes in more light than a 135/2.8.

It most certainly does not deliver more light to the film plane.

Imagine it this way, your eyes ... good or bad are your eyes.

Now, imagine you are looking into a flashlight 135 feet away that I’m holding.

Now if I move the exact flashlight 300 feet away.

The flashlight has the same brightness, but appears much dimmer because of the distance. To have the same apparent brightness I would need a much brighter flashlight at the farther distance.

That’s why distant stars appear to be much dimmer and than the Sun, even though many/most put out more light.

Basic Newtonian physics.

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Feb 13, 2019 15:44:15   #
tomcat
 
f8lee wrote:
Then you are thinking wrong. Yes, the font element is much larger but that is in order to bring in the light (naturally!). But the calculation of f-stop has zero/nada/nothing to do with that front element size.

Otherwise, feel free to explain the Nikkor 6MM f2.8 fisheye lens from the early 1980s that actualy had an angle of view of 220 degrees (yees, it sees behind itself).

Wikipedia that, bosco!


I think folks get confused about the size of the front lens element versus the size of the lens opening. The aperture value is a calculation using the ratio of the diameter of the open blades at the front of the lens divided by the length of the lens barrel back to the focal plane. Technically aperture does not have to do with the diameter of the lens itself, but the diameter of the lens's BLADES OPENING itself, (in mm). That ratio is always a number less than 1, so the fraction derived drops the numeration and uses the denominator for the aperture value. A lens with an blade opening of 25 mm on a 100 mm lens is ¼ for an f-stop of f/4

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Feb 13, 2019 16:01:29   #
tomcat
 
lamiaceae wrote:
It is sad how confused many photographers are about Math and Physics today. Skills and Knowledge have been replaced by Web Inferences. Interesting how several of the first ever photographers were scientists and mathematicians. Hershel and Dodgson (Carroll) come to mind.


I had to search the Internet because my Physics and Math professors are probably all dead now. :((. :))

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Feb 13, 2019 16:11:52   #
tomcat
 
LWW wrote:
Let’s make this easy.

The front element of a 300/2.8 most certainly tskes in more light than a 135/2.8.

It most certainly does not deliver more light to the film plane.

Imagine it this way, your eyes ... good or bad are your eyes.

Now, imagine you are looking into a flashlight 135 feet away that I’m holding.

Now if I move the exact flashlight 300 feet away.

The flashlight has the same brightness, but appears much dimmer because of the distance. To have the same apparent brightness I would need a much brighter flashlight at the farther distance.

That’s why distant stars appear to be much dimmer and than the Sun, even though many/most put out more light.

Basic Newtonian physics.
Let’s make this easy. br br The front element of ... (show quote)


Yep. The law of inverse squares for the distance changes in light transmission. About 1/4.938 as much light at 300 ft vs 135 ft

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Feb 13, 2019 16:13:19   #
k2edm Loc: FN32AD
 
yes,but ypu are confising the issue//include focal length and it comes out the same..that is why f stop was DEFINED!! the same f stop puts the same light n the film per unit area without regard to the focal lenght...

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Feb 13, 2019 16:23:56   #
tomcat
 
clickety wrote:
Your choice is important!

Assuming ‘enough’ light is the end goal, there may be two additional considerations. The light transmission (T stop) of lenses varies as by a considerable amount as it does with filters as well.

Depending on the brand/model of lens the difference could be 2/3 stop of light delivered to the sensor. If a filter (and they vary as well) is used then more light can be gained or lost.

Two ‘similar’ rigs with the same focal length and f stop can can easily vary by one stop of light at the sensor.
Your choice is important! br br Assuming ‘enough’... (show quote)


I’ve seen that ISO difference between my 2 Nikon D3s cameras. There is a ⅓ ISO stop difference between the two. One can be at iso 18,000 while the other will set itself to 20,000 and it will make a difference in the noisiness of the image

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Feb 13, 2019 16:46:14   #
htbrown Loc: San Francisco Bay Area
 
The f number tells you all you need to know. f2.8 lets in more light than f4. The f number is the ratio of the diameter of the opening in the lens (the diaphragm) to the focal length, so a bigger opening is the smaller number.

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Feb 13, 2019 16:48:37   #
User ID
 
speters wrote:


The flange distance has bearing so far that it
accounts for how large the mount diameter can
be, and therefor how much light can reach the
film/sensor!


Nonsense. Irrelevant. And I prove it, frequently.

Try it yourself. Take an EOS lens with its rather
large rear end and put it on an adapter to some
much smaller mount. Observe what happens ...
Acoarst it's kinda frustrating trying to observe
"what happens", cuz NOTHING happens.

.

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Feb 13, 2019 16:48:56   #
k2edm Loc: FN32AD
 
you dont buy a lens by size,you buy it by light gathering ability...i.e. F stop!!!

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Feb 13, 2019 17:06:20   #
photogeneralist Loc: Lopez Island Washington State
 
Has it occurred to you that the long telephoto with it's smaller field of view is gathering light that has been reflected from a much smaller area, thus less total light to play with. The size (area) of the the aperture of a telephoto thus has to be larger to let the same intensity of light in to the sensor. That's why, in theory at least, a given f stop (f stop is aperture diameter/focal length) will illuminate the sensor with the same intensity of light regardless of the focal length of the lens (everything else being equal) The front glass element of a lens has to be large enough to support a large aperture iris located right behind the front glass. At least that's how I think of it. Or thinking of it another way: 25 mm aperture /100 mm focal length =1/4 =100 mm aperture./ mm focal length (both are f/4)

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Feb 13, 2019 17:13:33   #
tomcat
 
photogeneralist wrote:
Has it occurred to you that the long telephoto with it's smaller field of view is gathering light that has been reflected from a much smaller area, thus less total light to play with. The size (area) of the the aperture of a telephoto thus has to be larger to let the same intensity of light in to the sensor. That's why, in theory at least, a given f stop (f stop is aperture diameter/focal length) will illuminate the sensor with the same intensity of light regardless of the focal length of the lens (everything else being equal) The front glass element of a lens has to be large enough to support a large aperture iris located right behind the front glass. At least that's how I think of it. Or thinking of it another way: 25 mm aperture /100 mm focal length =1/4 =100 mm aperture./ mm focal length (both are f/4)
Has it occurred to you that the long telephoto wit... (show quote)


The question wasn’t about f/4 in both lenses. The question was if the 300 mm at f/4 will let in more light than a 135 mm at f/1.8?

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Feb 13, 2019 17:14:55   #
carl hervol Loc: jacksonville florida
 
You people just don't know how a lens work maybe some people should take up fishing and not photography

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Feb 13, 2019 17:29:41   #
GrahamO
 
tomcat wrote:
Thanks for the diagrams and I do appreciate your support. But it still does not answer my question about the difference in light transmission between 2 different diameters and lengths of lenses at their wide open aperture. Will a 300 mm lens with its larger diameter wide open at f/4 transmit more light to the sensor than a smaller diameter 135 mm at f/1.8?

The best explanation so far was from an earlier UHH member that discussed the law of inverse squares when calculating light drop off. The distance that the light has to travel is roughly 12" in the 300 mm lens compared to 5" in the shorter lens. So the light has to travel an additional 7" of distance in the 300 mm lens. Now by the time the light reaches the sensor, the light in the 300 mm lens will have dropped off at least to at least ¼ to 1/5 of its original value that it was when it entered the lens opening. This concept I agree with and understand.

The whole purpose of this exercise was to determine if a 300 mm lens at f/4 would give me a better exposure in low light than my 135 mm at f/1.8 where the average ISO values are 18,000. An aperture of 1.8 has such a shallow DOF that the faces are sometimes not so sharp because my target hit the chest instead of the face on a moving gymnast.
Thanks for the diagrams and I do appreciate your s... (show quote)


Tomcat you are over complicating things. I and others have already explained that an f1.8 lens is better for your purposes than an f4 lens. A 300mm f4 lens due to its long focal length also has such a shallow depth of field that you’d find it impractical indoors for action including the difficulty of finding your target. Brush up on your focusing techniques which is a different question. An f1.8 lens can of course also be set to f2.8 or f4 if you need more depth of field but an f4 lens can’t be set to f1.8. The faster f1.8 lens should also auto focus better / faster even if it’s set to f4 than the 300mm f4 lens

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