This is my first effort in the critique forum. I am an advanced student in an AAS Pro Photography program at the local college. I have been shooting seriously for 2 years as of this month.
I am having a lot of trouble figuring out exactly what went off in this composition. I am rather hostile to the antlers on the right (though one could make a "leading lines" argument) and the lampstand to the left. This seems too cluttered to properly tell the story. Is that what is frustrating me, or is it something else? Sometimes I just get stuck.
I will say that as long as your critique is serious and I can build from it, it is very hard to hurt my feelings. It is hard to learn if everyone blows smoke up my skirt.
For me the scene is too busy, the antler are not conducive to the pic. The couple should be more to the center, the post looks as it is coming out of her dress. The background is to strong and distract from the subjects. I am not sure what is going on behind the bride, is that a hall tree or what is it supposed to portray? Some times we have to much in a picture, to much confusion and clutter some times.
Old Timer wrote:
For me the scene is too busy, the antler are not conducive to the pic. The couple should be more to the center, the post looks as it is coming out of her dress. The background is to strong and distract from the subjects. I am not sure what is going on behind the bride, is that a hall tree or what is it supposed to portray? Some times we have to much in a picture, to much confusion and clutter some times.
I think we agree on the clutter. You see it as all around rather than just in the stylist's choices. That makes sense.
Bmac
Loc: Long Island, NY
I believe that simply making a tighter, well placed crop, you can accentuate the subjects and reduce the apparent business.
Photo is artistic, original and quite lovely in my opinion.
There is too much going on. I think that the posts and the flowers are too busy and the antlers seem very out of place. I really like the mood you set and the colors. If you take some of those items out you've got a wonderful photo.
I agree about the clutter. I won't say, "Less is more." because that's actually ridiculous. However, I think less would have been better. Antlers - out. Lampstand - out. I would even get rid of the white drapery thing. Center them a bit and shoot from a little lower angle. Just my advice.
The color is very unusual, but I absolutely LOVE it!
A closer crop and getting rid of things. That will make me happy. I will just keep this one for my archives because this was a styled shoot and the photo is for the stylist.
Definitely, I have to work on my angles and centering the couple. I have to slow down.
thank you all for taking the time to help me "see". If I get the time, I will put up my changes.
I also want to add, thank you for the encouragement. It is warming.
Red in Colorado wrote:
This is my first effort in the critique forum. I am an advanced student in an AAS Pro Photography program at the local college. I have been shooting seriously for 2 years as of this month.
I am having a lot of trouble figuring out exactly what went off in this composition. I am rather hostile to the antlers on the right (though one could make a "leading lines" argument) and the lampstand to the left. This seems too cluttered to properly tell the story. Is that what is frustrating me, or is it something else? Sometimes I just get stuck.
I will say that as long as your critique is serious and I can build from it, it is very hard to hurt my feelings. It is hard to learn if everyone blows smoke up my skirt.
This is my first effort in the critique forum. I a... (
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I can't see the wood for the trees.
Like has already been said, the coloring is wonderful. Recompose and remove as many suggested. This is a tender moment and it should be preserved by completely focusing on the couple. Place them on center. I'd blur out the background , maybe only as little as 5-6 pixels. Easy to experiment with.
Everyone is saying pretty much the same thing regarding a crop to reframe in such a way as to feature the couple. I absolutely agree. Its a very nice photo. This would be a suggestion for that crop. I think its ok to post an alternation here in the critique section,
fergmark wrote:
Everyone is saying pretty much the same thing regarding a crop to reframe in such a way as to feature the couple. I absolutely agree. Its a very nice photo. This would be a suggestion for that crop. I think its ok to post an alternation here in the critique section,
IMHO - I think it would take more than zooming in. The problem remains - the background is not going to work.
I actually like the decorated trellis. It's the type of thing people do for outdoor weddings. I'm sure the antlers have some importance to the people in the scene, and lampstands are common at weddings. The background of trees would normally be nice, but in this case, I think they sort of fight with the trellis. The tinting and grain give the image a sort of old-timey look. Was that intentional? If so, well done. If not, do you like the fact that you got that? In my opinion, it's the lighting that's sort of off somehow. The sky is a really funny colour and I don't see any shadows.
fergmark wrote:
Everyone is saying pretty much the same thing regarding a crop to reframe in such a way as to feature the couple. I absolutely agree. Its a very nice photo. This would be a suggestion for that crop. I think its ok to post an alternation here in the critique section,
The question that popped into my mind was, "What are we supposed to look at here?" If it is the couple, then they should be the focal point in placement. In this shot, I would crop up to mid thigh, with the upright camera left as framing with the overhead bar for the same. The upright on camera right is iffy, to me. The couple should be separate from the surroundings to make it a great wedding photo. The times I would have them "interacting" with the frames is when the frames add to the story. There are a few possibilities here. Playing "catch me if you can", for example.
Stephan G wrote:
The question that popped into my mind was, "What are we supposed to look at here?" If it is the couple, then they should be the focal point in placement. In this shot, I would crop up to mid thigh, with the upright camera left as framing with the overhead bar for the same. The upright on camera right is iffy, to me. The couple should be separate from the surroundings to make it a great wedding photo. The times I would have them "interacting" with the frames is when the frames add to the story. There are a few possibilities here. Playing "catch me if you can", for example.
The question that popped into my mind was, "W... (
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I was thinking the same thing. No-one asked the op what he was wanting, or thinking.
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