Just shot this sequence this afternoon. Site is at Manzanar's Reservoir. From the photograph, you can see the weather system moving into the valley, freezing rain starts around 5 PM, which totally screwed up my plans for star trails.
Excellent, download a must!
What is your panorama technique. My camera offers a pano option.
Nice! Is it one shot or several images stitched together?
rgrenaderphoto wrote:
Just shot this sequence this afternoon. Site is at Manzanar's Reservoir. From the photograph, you can see the weather system moving into the valley, freezing rain starts around 5 PM, which totally screwed up my plans for star trails.
I’m always interested in the focal length of the lens.
John_F wrote:
What is your panorama technique. My camera offers a pano option.
I do it Old Skool. Lens was Nikon 28-300 set at 28mm, positioned on tripod vertically (always do Panoramas you are going to stitch together later vertically). Focus first shot, take image. Sight on right margin for a terrain feature that you can position on the left 25% of your viewfinder; for a Nikon, the area to the left of the AF bracket display is my target. Focus, shoot, sight, rotate, repeat until you have the scene covered. I've done up to a 50% overlap, but 25% works for me.
I import into Lightroom, and select Edit/Photomerge/As Panorama, and let it run. When the preview is finished, I move the Boundary Warp slider to the right. I know some will disagree with me, but for my workflow, I do not know why the Boundary Warp slider is even there, but i digress. I click on Merge, and go do something for the time it takes to cook into a complete image.
I have a Sony RX100M4, which has the built in Pano feature. The key is not to rotate your body while holding the camera still taking the panorama, but to rotate your hands so the center of the camera stays in a fixed place.
So how many component images went into the finished product?
rgrenaderphoto wrote:
I have a Sony RX100M4, which has the built in Pano feature. The key is not to rotate your body while holding the camera still taking the panorama, but to rotate your hands so the center of the camera stays in a fixed place.
That is the key to making any panorama, in order to avoid parallax problems with elements near the camera. Technically, there is a point within the lens that needs to be stationary, but I find it satisfactory to just keep the front of the lens in the same position.
I like the way the sky is changing.
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