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Posts for: Waterfall9
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Aug 23, 2020 13:16:19   #
Fotoartist wrote:
Call this a two subject composition. First a model in the studio posed against a white background. Then, a shot of the Biyodo Temple in Hawaii, a place I was fortunate to visit a dozen years ago. Put them together in Photoshop and add a white vignette to tie it together. The model wasn't even Asian. Comments always appreciated.


You always have an artistic eye. I see a beautiful model with excellent lighting and a skillful blend of an image that would work on many backgrounds. I like the fact that it is art instead of in your face graphic nude. While looking at the image and thinking about others comments I was only looking through half open eyes and it occurred to me that a softer focus on the model might also work well to make a pleasing visual. Thanks for sharing your beautiful work.
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Aug 22, 2020 14:59:55   #
#5
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Aug 22, 2020 14:56:39   #
Maybe there is a button in Topaz where need to accept the process to lock in the change before you save it.
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Aug 22, 2020 14:52:12   #
AzPicLady wrote:
I have been using the "detail selector" in NIK for some time, and now I have the Topaz Sharpen. I have used one image and done it in all the configurations of these various treatments. What I do NOT want to do is create "overcooked" images. I do want to bring out as much detail in an image as I can. So, I'd like your reactions to these images and your honest opinions as to whether or not they look natural or overcooked and which might actually be the best. I've included the original so that you know where I started.
I have been using the "detail selector" ... (show quote)


I think R.G. nailed it. Differences are very subtle. The topaz image looks more natural and the Nik image simply has punched up the contrast which made me at first consider that the Nik sharpener did a better job. It might be better to use masks to selectively raise contrast and focus locally on the Topaz image.

Thanks for presenting the demonstration.
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Aug 21, 2020 11:49:09   #
A pleasing composition from something most wold have just discarded. Thanks for sharing.
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Aug 21, 2020 11:39:23   #
A very artistic set of images. I am curious what lens you used. The finished images are excellent.
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Aug 20, 2020 10:24:10   #
Great capture. I wonder how it avoids collecting clutter on the spikes.
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Aug 20, 2020 10:19:20   #
Technical perfection. Thanks for sharing. Kind of raises the bar for most of us.
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Aug 20, 2020 02:11:06   #
I disturbed this little character several times trying to get various angles or light and finally just settled for what he wanted to give me. As soon as I quit bugging him he returned to this exact location each time. Guess who is coming for supper?
A little creature with a big voice.

The day lily is a dark treasure I found in Hawaii years ago and carefully washed all the soil off to get through inspection. Now there are many varieties and colors available but this one has a story for me.


(Download)
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Aug 19, 2020 12:38:05   #
Linda From Maine wrote:
Lynne, you win today's top award for most eye-catching title 😀

I think this is a fantastic shot for the pov, time of year and processing.

I first became aware of the scene from a photo posted to UHH by littlebiddle, who also lives in Yakima and who I used to see frequently when I was shooting the eagle nest in the Yakima River Canyon.

But I haven't been to the area of your photo because I decided after a few too many "risks," that I would cut back on my instances of shoot-from-the-car-while-stopped-in-the-middle-of-the-road 😉
Lynne, you win today's top award for most eye-catc... (show quote)


Thanks for the kind comments.

Lynn
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Aug 19, 2020 12:31:13   #
Cany143 wrote:
Shot on the fly? From a moving vehicle? I'm impressed, very impressed! Compositionally speaking.... and as Linda noted, with your post's title, too.

Hard to tell because of the state of dismemberment, but I'd wager on it being (or having once been) a 1932 Model B Ford Tudor Sedan. The Model A (1928-1931) did not have a vent flap on the cowl; that's where the gas tank was on a Model A, so rather than there being a vent, there'd have been either a gas cap or the neck of the filler tube.
Shot on the fly? From a moving vehicle? I'm impr... (show quote)


Thanks for the comments. I am wondering what it looked like new and what it might pavement to a family.
Lynn
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Aug 19, 2020 12:29:04   #
camerapapi wrote:
Only because you are allowing us to use the image with a favorite editor I am presenting here for your evaluation a b&w conversion using Topaz B&W Effects 2 as the editor.
I hope it meets your approval.


I am always amazed at the different ways each of see. I like your black and white a lot and the drama fits the scene. I have a lot of curiosity as to the presence of the lilac bush and location of the rusty frame placed in the bouquet of flowers.

Lynn
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Aug 18, 2020 12:55:59   #
I actually like all there images for different reasons and I appreciate the tip on blending. Beautiful model and skilled photographer. Did a flash off to the right make the water so bright??

Thanks for sharing and raising the bar.
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Aug 18, 2020 03:16:58   #
I saw this scene as I headed toward Portland along the Columbia R. I returned at the wrong time of day, and made sure no one was close behind me because the scene is on a blind curve with no way to park. Just as I was nearing the location a car pulled out of a driveway and was pushing me and I had the camera set to shoot in auto focus and took the picture on the fly. I felt the scene had a story

The image is processed in photo shop with an added preset from Topaz. I used four different gradients with selective masking to balance some of the Topaz color to my satisfaction.

Feel free to explore the image with any program that would put your twist on the image.


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Aug 16, 2020 04:29:45   #
Linda From Maine wrote:
Having admired StanMac's sooc images here, I decided to try a raw+jpg with the same camera (Panasonic Lumix DMC-ZS100).

I would like to match the colors of the raw to the jpg shown below. In my PSE's ACR section, I have tried changing WB (in-camera set to auto) and vibrance, and in the main workspace I've tried various combinations of single and global color saturation, brightness etc, but can't find the right recipe.

#2 is the raw file, if anyone is interested in puzzle-solving and educating me on what I'm seeing Thank you!!

.
Having admired StanMac's sooc images url=https://... (show quote)


I recently watched an interesting approach to working up the color of an image as suggested by Blake Rudis. 1--get your color balance the way you like 2-look at the effect of the sliders in the camera calibration. Each slider actually affects more than the color listed on the slider as for example red is composed of more than just red. It is my understanding that these four sliders, red primary, green primary, blue primary and shadow adjust your pictures in the way the camera program did automatically to make the jpg. You can be creative or use the various camera profiles listed above the sliders. The third step is to use your color mixer which has a great but complex of possibilities and then the fourth step is to use graduated filters to color grade after all photoshop work is complete. You may not have the latest awesome photoshop browser, so the last two steps my not be easy but the camera calibration should be there for you and I find it useful. Blake has a blog which promotes an excellent F64 program and delivers free information outside of F 64 on that blog. Check him out as he is an excellent artist, photographer and teacher. I try never to miss Friday lessons. Between Blake and UHH I have learned a lot about how programs help us.
I had a three terabyte system crash recently so I can't test your image, but if I were trying to match a raw file to a jpg I would start with the camera calibration-and maybe you will find a combination of color that looks more like what you saw without matching either

Bottom line comes down to the fact that you are an artist and you just use what you like. I admire what you do for all of us on UHH.
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