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Posts for: rocketride
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Mar 16, 2017 11:00:28   #
Fortunately, portraiture, landscapes, 'art' photography, meteorological and night-sky photography are almost all of what I 'shoot', so the camera's weaknesses, AF-wise, don't matter to me. If I'm shooting hand-held, I'm almost always using just the center sensor, anyway, so 11 vs. 61 sensors and which ones are cross-type isn't really a consideration, either. Near as I can figure, I'm just about dead-center in the 6D's target audience.

I've done hand-held astrophotography with the thing. Mind you, it's wide-angle planets-and-moon in deep-ish twilight, but it's still astrophotography.
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Mar 5, 2017 17:17:00   #
Peterff wrote:
Interesting, mine is on the left - as seen from behind.


I think you're right. I was conflating the DOF button on the EOS Mount with the DOF Buttons on Olympus OM film camera lenses.
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Mar 5, 2017 11:22:36   #
anotherview wrote:
Canon would have to come out with a function like a depth-of-field indicator to tempt me to switch from my 6D. So far, this camera does all I need in full frame camera.


There is that button on the lower right side of the lens mount- as seen from behind. (Every EOS camera has that.)
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Jan 24, 2017 23:49:46   #
imagemeister wrote:
That is what makes them physically weak and problematic ......


Not that I've noticed.
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Jan 24, 2017 23:05:50   #
speters wrote:
It depends on the filter, there are special filters just made for the use with wide angle lenses!


They have narrower than usual frames.
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Jan 3, 2017 15:56:28   #
Those videos are chemically pure bovine excrement. There is no planet 'Nibiru'.
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Sep 14, 2016 08:57:52   #
Shouldn't that have read '370HSSV'?
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Jun 14, 2016 00:15:49   #
Leitz wrote:
You drive a screw...you're a screwdriver.


Or some kind of tool, anyway.
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Jun 7, 2016 10:33:31   #
Unless there's something wildly outside the usual specification tolerance, the difference in T-number between two lenses of similar F-number and 'vintage' isn't going to amount to a big difference in shutter speed needed to correctly expose in a given illumination. Big differences in the number of elements (i.e. prime vs zoom), a big difference in age (resulting in one lens having better AR coatings than the other), or the glasses used in a design can make a bigger difference in T-number, though.
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Jun 3, 2016 00:02:51   #
If you mean "Is the intensity at a given place on the sensor the same for all those lenses at the same f#?", then yes. If you have a patch of, say a wall, in each lens' field of view, each lens will gather an amount of light from it proportional to the square (area) of its aperture, and each will focus that light into a patch of a size proportional to its focal length. The area of that patch will vary with the square of its linear size. So, a 100mm f/2 lens will gather 4x as much light from that patch as a 50mm f/2 lens would and then will spread it into a patch 4x the area on the sensor as the smaller lens would-- the intensity of the light within the two patches on the sensor would be the same. (I'm ignoring the effects of manufacturing variation in actual focal length, difference in transmission, etc.)

If you mean something else, then maybe not.

folkus wrote:
Is the amount of light entering the camera the same for 28mm, 50mm, and 90mm if each is set at F/2 and all other factors are the same? Thanks.
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May 18, 2016 16:50:17   #
Indeed. Take one (or more) photo without her and as many as needed with her and photoshop as needed. It's artistic, not phtojournalistic, so no problem.
Part of the point of the effect is that the grass seen through the mirror frame has to match up with the grass behind her. Good luck with getting that unmanipulated.


SharpShooter wrote:
It doesn't matter one way or the other. It's a pictorial and not journalism, so anything goes! Including any amount of PP. no explanations necessary.
It's not about how it's created, what's important is the creativity and the concept. ;-)
SS
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May 18, 2016 16:42:57   #
What I'm not seeing, which I would expect to, is the back of her right calf reflected in the mirror.


bearcat wrote:
You may have seen this photo in recent emails proclaiming "Interesting Photos".

I pasted the photo into Google search and found a web site article of the photo and the photographer.

You can read the article on this photo here:

http://petapixel.com/2014/02/24/invisible-laura-williams-talks-viral-surreal-self-portrait/

If you read the photographer's notes, she claims that this was completely a self made portrait, the result of a single carefully laid out shot. At least it "seems" like that's what she's saying... can't tell for sure.

Having played with CGI (Computer Generated Images) and Ray Tracing in the past and therefore being "picky" about "artificial realism", I was looking at the "details" of this photo, and because of the "inconsistency of too much consistency" of shadow and light, including missing reflections, I believe this was all created in Photoshop, or something similar, using a full "blue screen" method merging two completely separate images into one.

What to YOU see?

What do YOU think?

Your comments are most welcome.

BC
You may have seen this photo in recent emails proc... (show quote)
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Apr 18, 2016 14:58:35   #
JohnFrim wrote:
I suspected in-camera HDR at the outset, and that has finally been resolved. What I find most useful from this post is the clear demonstration of what size of area the camera manipulates around the airplane and the effect it has on the "noise" in the sky.


Indeed.
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Apr 15, 2016 09:15:58   #
bowlegs56 wrote:
I read that the new 6D2 will be released around Semptember of this year.


At this point, there would have to be big improvements for me to not simply buy a second 6D-1 at discount or used when the 6D-2 comes out.
I like my 6D-1 that much.
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Apr 14, 2016 13:58:00   #
I mostly shoot handheld and using only the center AF point.

amfoto1 wrote:
The best image quality, particularly on full frame, is the 16-35/4L. It's also reasonably compact and the only one of the three with IS.

6D can shoot action... but it's limited to the center AF point only. That's the only dual axis-type point it's got. It's also the best one for really low light, allowing the camera to focus in -3EV light. (1DX, 5DIII, 7DII & 80D can, too... using limited AF points. But most other Canon are -1EV, at best.)

All the 6D's other points are slower single-axis type and not up to either low light or moving targets. However they're just fine for a lot of things. The 6D will be excellent for landscape and portrait work.
The best image quality, particularly on full frame... (show quote)
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