tresap23 wrote:
I have "never" shot a wedding before. I am a little unnerved by this thought. First let me say, this is "not" a paying job. BUT, it is a family member, who has a lot of confidence in me and happens to like my photos. She is not hiring a photographer, due to the expense. She just wants a few good photographs of the occasion, besides cell phone photos. (although, I am making sure, I have people taking plenty of those as well.) I often take family photos when we are all together, and send them to everyone. Also I post a few of my images on my FB account. My niece seems to think that I can do this, even though I have told her, I am not a professional photographer, and I still have a lot to learn. As this is not her first marriage, nor is it her fiancé's first wedding. They are not having a formal ceremony. They are getting married at their home, off the coast of Maryland. It will be outdoors, at one o'clock in the afternoon. (worst time of day for pictures lol) Hope their yard is shaded well. The dress is casual. A low country boil reception, and boating and jet skiing activities for all the guests (which is family and close friends only). Still, I want to be able to capture those special moments for her. She is more like a little sister to me than a niece. I will be ok, doing posed shots, but not so sure about the rest of it. I have the right camera for the job but not sure about the best lens to use. My best lens is my 70-200 F2.8L IS USM II for my Canon 5D Mark IV camera. Is this the best lens or is there a better one I should use. Like maybe the 24-105 F4L? also, I have a speed lite, but not any studio lighting. Even if I had it, wow, traveling with all that gear would be hard for me. So, my camera, speed light, tripod, and a couple of lenses is all I really want to take. Maybe a couple of reflectors. But that would be the most I'd travel with. So, any tips, advice, and a little compassion when giving it, haha, would be appreciated. I want feel too bad if they are not great, due to the fact that I am doing this as a favor to her. But, I am taking this as a challenge, and want to do my best.
I have "never" shot a wedding before. I ... (
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There are a lot of different answers to your questions. Mine are not the final word. But. . .
I would mount the 24-105. My usual goto lens for events like this is an 18-200. The 24-105 is the better range. The 70-200 will not let you broaden the shot for groups unless you stand back. In any event I've shot, I find myself shooting a table of folk and then almost immediately going for a closeup of one person or a two person conversation. The 105 will handle that situation, the 70 is just too tight. (If you have to back off, someone will almost certainly, though inadvertently, get in the way.)
One of the things I like about my a6300 is that I can set it to shoot silently. I can shoot in burst mode and often do for something like an event--not the high-speed 11fps but the middle setting of about 6fps. That fraction of a second will sometimes capture a fleeting expression that is priceless. I don't know the Canon lineup. Nikon has not figured out how to quiet the mirror. In fact both of them have dropped the ball for mirrorless.
Use a flash, but put some light modifier on it. This can be a small camera mount softbox, a Gary Fong Lightsphere, or a Light Genius. Anything that will soften the light, but better if it also emulates bounce flash. Choose your flash exposure to provide fill light, not the main light. You don't want to overcome the sun, just provide definition and soften shadows. This will soften the shadows to overcome the problem of overhead sun. (I've come to appreciate the Light Genius, but even a white handkerchief is helpful.) I used the GF lightsphere for years, but in the last six months have been using the Light Genius and like it better.
Go over the ceremony with the bride and groom. Create a shooting script. Try to know what and where your next shot is. In the thick of the action, it is very easy to get lost. Of course, make sure you have enough space on your memory card. Better yet, copy all the older images onto your computer, then reformat the card. Changing a card as the shot you were anticipating disappears is very frustrating. Having one fail is even more so. Same with batteries. Make sure they are fully charged--and bring a spare. Also, spares for the flash.
Make sure to focus on the eyes. I like to use shallow depth of field to keep viewer attention on the subject I want them to see.
Don't be shy about "'chimping". Sure, the pros and the purists will poo-poo that. But there is no better way to be sure you are actually getting something worthwhile.
A week or more before the event, set your rig up, get a couple volunteers to stand in and try it, then practice a little, especially the main poses.
I haven't shot a wedding in many years--though it helped pay the bills during grad school--so there are surely many pros out there with better advice. I also am no longer shooting Canick cameras, so YMMV (Your Mileage May Vary)
Good luck.