bdk wrote:
Yup we've discussed it many times in the past . but I have a specific question that I'll get to in a second.
I have two WD My Book drives, one is 4 Tb the other, I dont remember. I also have a 1 tb seagate drive that fits in your pocket.
I back my pictures to both of the WD drives. Nothing fancy, at the end of the day of shooting , I just copy the whole new directory from my computer to both drives.
The seagate is used if Im on a trip, I take that for storage of if I want to take a lot of pics with me for what ever reason.
I also use Amazon photo cloud as an off site back up.... Its slow but it works. I feel comfortable that my pics are safe ....
When saving my pics, I save them in directories, an example of how I save a directory is.
16 3 11 Cape may historical home shoot. Year month day and a description of the shoot. or
Jones wedding 16 4 22 sometimes its easier to save with a last name first to help find the pics.
What lens and what camera? Look at your budget, the kinds of pictures you like to take, and buy what you need that is within your budget. I shoot lots of landscape, architectural and interior subjects, so I have Nikon's perspective control lenses - 24, 45 and 85mm, along with a 14-24. I also shoot landscapes with longer lenses, up to 200mm. I shoot birds, so I have a 100-300 F4 zoom, and a 600mm F4 prime. I shoot macro, mostly natural subjects in the field - so I have a 150mm F2.8 and a 180mm F3.5 macro for better working distance and so on. Right now my camera needs are being served with a pair of D800s.
works pretty good I can most times find what Im looking for with this format.
Heres my question, a few months ago I took a pic of a dog , cute dog and very friendly. I was in a park, not sure what park, and not sure of the exact
date. Recently saw the owner walking down the street and they asked for a copy of the pic. where is that pic how do you find it? It took me hours to find it.
How do you find your pics under these circumstances?
Next up, ( in a few days) why G.A.S. can be very important to your photography.
why RAW is the only way to go or NOT the best way for you to go.
and last, why , what lens should I buy and what camera should I buy , though seen many times is still important to the readers.
Yup we've discussed it many times in the past . bu... (
show quote)
Making use of keywords in Lightroom, Bridge, On1 or whatever you use to view your images would pretty much eliminate what you are experiencing.
I use a simple folder system.
Top level folder = Pictures
Sub folders = one for each year
Sub sub folders = one for each time I shoot with my camera - and each is serialized and dated so I can find things in Explorer - a typical folder name will look like this:
07.02 - Garden Flowers - 7-5-16
Where:
07.02 is the second shoot event in July
Garden Flowers is the subject matter
7-5-16 is the date.
All of my raw files for the date go into this folder. If the event is a vacation trip spanning several days, LR will place each date in it's own subfolder by date in the parent folder eg "07.02 - Garden Flowers - 7-5-16 "
When I import the images into Lightroom, I batch tag each image with keywords - location, season, event (X and Y's wedding, Westport Equine Gran Prix Competition, etc). If I have specific shots that I want to tag, I can go back and attach a name or other descriptor that will let me find it in a second or two with a simple search term in Lightroom. I no longer use Bridge, but it pretty much works the same way as far as browing and viewing, but Lightroom's catalog is much faster.
My workflow is to do a preliminary review, cull the bad shots, use LR's parametric tools to get the remaining "up to snuff" and then I rate them using stars and/or colors, picks etc in LR. When I find an image that I want to print or post, I will do the final editing on the image - the "photo finishing" step - in any combination of software that will give me what I am looking for - Photoshop, ON1, DXO Optics Pro, Photomatix Pro, Helicon Focus, etc etc etc. All of these applications are launched directly from Lightroom, which I have set to create a PSD or TIFF, 16 bit, ProPhoto color space. Launching from LR automatically adds this file to the catalog. I do all of my edits on the psd/tiff working file. When I share to social media, send out for printing, print in house, send by email, etc - I have about a dozen presets that handle the conversion of the psd/tiff file to the appropriately sized jpeg, with the appropriate quality setting. This way, for most of my images I have 1 to 2 versions of the image - the edited raw file and the finished PSD/TIFF file.
When I go to look for something, I open Library module, navigate to the folder view, and if I know the year, I click on it in the folder view. I press Ctrl F to open a quick search field - type in part of the search criteria, and in a couple of seconds it will find images that match. I can then navigate to the folder and see the other images taken in that moment.
I have experimented with renaming files on the incoming side to avoid conflicts when there are two files by the same name, but LR looks at the metadata as well as the name to determine if the files with the same name are indeed duplicates.
This folder structure has been in place since 2000, when I started shooting digital, and I continue to use it today with Lightroom. Also used it with Capture One, Bridge, and other applications. All changes to my raw files are written to xmp, so if one day Adobe goes belly up or I decide to stop my subscription, I have all of my data and file edits. Either way, when you stop using Lightroom, the catalog is still active and viewable. Pretty much all the other functionality is removed, though.
The backup I do is not a true incremental backup in the strict sense. Each night I have a scheduled sync that examines the folders on my computer with the folders in my external drive, and using the computer's version updates the changes to the backup drive. That drive is in turn sync'd with another external drive once a week and kept in a fireproof safe with my other important papers.
That is how I save things.
I shoot raw out of convenience and to have a consistent workflow. I adopted this approach in 2006 when I got my first DSLR. I've shot weddings with other shooters, and being able to make close to 2000 images from multiple cameras look like they were shot with one camera is one of the benefits, along with super fast batch processing for broad stroke changes like white and color balance, sharpening, contrast, exposure etc. It would take me days to do that if all I had was a jpeg to work with. I don't do work anymore that relies on immediate transfer of images from my card to a client, and even in that case I would try to dissuade the client from this and convince them that they will get a better product if I am allowed to process the images myself, rather than accept the camera's presets. I shoot 100% raw.